📅 Next submission window: Oct-Nov 2026
📅 Next submission window: Oct-Nov 2026
Reading periods:
Oct-Nov (2026)
Apr-May (2027)
Oct-Nov (2026)
Response time: Within 8 weeks
Length: 500-3,000 words
Payment: Contributor's copy + $10 USD
Fees: Free for members · $3 for non-members
Format: .doc, .docx, .pdf
Please take time to read Black Fox Review - Summer 2026, below, (It's open access) for ideas about the depth, density, and length of stories we are interested in.
Contents
THE BLACK CAT Edgar Allan Poe (1843)
THE HUMAN CHAIR Edogawa Ranpo (1925)
Translation by Finlay Cameron
THE FOXES OF SPETCHLEY PARK John McLean
ON THE BATISTE KERCHIEF OF PANKA HUGYECZ
Adam Porkolab
DEAR ORPHEUS Athina Pia Barreda
THE PINE TREE Natalia Danjon
A WRITER’S GUIDE TO THE GOTHIC
Black Fox Review Editorial Board
I. Understanding Gothic Literature
II. Message: What Your Story is About
III. The Three-Act Gothic Structure
IV. Thematic Patterns in Gothic Shorts
V. Character in Gothic Fiction
VI. Character Ideas for a Gothic Short
VII. Voice, Tone, and Tempo
VIII. Motifs
IX. Conflict in Every Scene
X. Bring It All Together
Annual membership is $7 USD (approximately ¥1,000 / €6.50). Members receive:
Two Interactive PDF issues annually (a $10 value)
Early Submission Access: Two weeks before the general public
Free submissions to all reading periods
Early access to each issue
Invitations to virtual readings and events
Gothic is a genre in which the external world reflects an internal wound. The story is driven not by external plot alone, but by something within the protagonist that demands attention. This may be an obsession, a guilt, a repressed desire. It may be a longing, a grief, a hunger, a shame, a love that was not allowed, a truth that cannot be spoken, a promise that will not stay buried. The haunted house, the uncanny double, the ancestral curse. These are the outer shape of that inner truth. In gothic, character and the protagonist's character arc are the story itself.
Black Fox Review is looking for gothic fiction that unsettles, haunts, and consumes. We publish four issues per year, each a collection of stories that honour the tradition of the gothic while pushing it towards new, strange territories.
Stories that blend the historical and the supernatural
Explorations of guilt, memory, and unkept promises
Liminal spaces: thresholds, ruins, gardens at dusk, the moments between waking and sleeping
The gothic not as decoration but as a way of seeing (a lens for examining what haunts us)
Transformation, reckoning, and the price of choice
Gore for its own sake (we prefer dread to disgust)
Stories where the gothic is merely aesthetic without thematic weight
Previously published work (including personal blogs and social media)
AI-generated or AI-assisted submissions
We accept fiction of 500 to 3,000 words. This range allows for:
Flash Gothic (500-1,500 words): Concentrated dread, fairy-tale intensity, prose poems, moments that linger like a half-remembered dream
Short Stories (1,500-3,000 words): Fuller narratives, transformations, reckonings (stories with room to breathe, like our sample piece)
We occasionally consider pieces slightly outside this range if the work is exceptional, but please query first.
We like submissions that contain both factual and fictional elements. If you include factual elements, please specify the following in your cover letting:
What in the story is true (a place, a historical event, a person, an object, a documented experience)
What you have invented or transformed.
This is not about verification. We will not fact-check you. It is about intentionality. We want to read stories in conscious conversation with the real (stories that know where they came from and choose where to go).
✧ We approach all stories with care, particularly those depicting trauma. Historical accuracy matters, but so does humanity. Write with both.
Accepted formats: .doc, .docx, or .pdf
File naming: “StoryTitle_AuthorName.doc” (e.g., “TheHumanChair_FinlayCameron.doc”)
Font: 12-point, readable serif (Times New Roman, Garamond, or similar)
Spacing: Double-spaced
Page numbers: Please include them
Your name: Should appear on the first page only (for blind reading)
English consistency: You may use either British or American English, but you must be consistent throughout your story. Do not mix “colour” and “color” in the same piece.
Dialogue: Please use double quotation marks with commas.
Internal dialogue: If written in the third person, use italics for characters' internal thoughts.
Em dashes: Em dashes are permitted. However, please use them sparingly.
We have no strict house style beyond clarity and readability, but these three elements (English consistency, dialogue punctuation, and italics for internal thought) must be followed.
Your cover letter should include:
A brief biographical note (2-3 sentences)
The fact/fiction specification as described above
Any content notes if your story deals with sensitive material (optional but appreciated)
April-May 2026
October-November 2026
April-May 2027
October-November 2027
Submissions received outside these windows will be returned unread. Members who join now will receive our Three-Act Gothic guide immediately and be ready for the April window.
Members of The Black Fox Society: Free (unlimited submissions)
Non-members: $3 per submission
Fees help us pay contributors and keep the journal sustainable. Memberships are $7 per year and include four free EPUB issues plus free submissions.
We aim to respond within 8 weeks. If you haven't heard from us by then, please query via email.
We accept simultaneous submissions. Please notify us immediately if your work is accepted elsewhere.
If you need to withdraw your submission, please do so via the submission platform or email us.
Accepted contributors receive:
$10 USD (paid via PayPal or bank transfer)
One contributor's copy of the issue (Interactive PDF)
We acquire First Worldwide Electronic and Print Rights for your story. This means we are the first to publish it, in any format, anywhere in the world.
All rights revert to the author upon publication. You are free to republish the work elsewhere after it appears in our pages, though we ask that you acknowledge Black Fox Review as the place of first publication.
(Example: “This story first appeared in Black Fox Review, Issue One, Summer 2026.”)
Accepted contributors receive more than payment and a contributor's copy.
✧ Novel Discussion
A 30-minute conversation with our publisher about a novel manuscript you're working on. This is direct access to professional editorial feedback and potential publication consideration with Matatabi Press.
✧ Editorial Board Invitation
Writers whose work demonstrates exceptional vision may be invited to join our paid Editorial Board, with ongoing involvement in shaping future issues.
We offer a series of guides for writers interested in the gothic form. These are suggestions, not requirements.
Available now for members. This guide walks you through:
The three-act structure in gothic fiction: How dread, transformation, and return create narrative arc
Motif selection explained: Why the black fox, the threshold, and the reckoning carry symbolic weight
Narratological analysis of Poe's (1843) "The Black Cat," Edogawa Ranpo's (1925) "The Human Chair" (English Translation by Finlay Cameron), and McLean's "The Foxes of Spetchley Park," act by act, scene by scene
Act One: The Summons
Act Two: The Reckoning
Act Three: The Return
Writing prompts for each act, based on gothic narrative theory
Questions? Contact us at:
edit@matatabi-japan.com · press@matatabi-japan.com
(Use edit@ for submission questions · press@ for media and interviews)
© 2026 Black Fox Review · Published by Matatabi Press (Japan Publisher Registration No. 910554)
Distributed globally · Available at Barnes & Noble, Waterstones, Kinokuniya, Amazon, and select bookshops
edit@matatabi-japan.com · press@matatabi-japan.com